My practice is a space for contemplating transformations of water, weather, and porous boundaries of the body. I create installations of expanded cinema in which dream-like gestures well up within habitual routines. The installations combine projected video, water circuitry, repurposed light fixtures, and dislocated windows and doors.
I work with recordings and projections to engage with notions of time. Linear playback [past>present>future] can become more like cycles of seasons, spirals of weather, translations of memory, and ruptures of coincidence.
In my current work, window blinds, acrylic light fixtures, and radio antennas are activated by video projections and water circuits. These objects, familiar from spaces I grew up in, now exist in the backgrounds of photographs and memories. They are reservoirs of personal traces, intimacy, and home, and signify the ubiquity of mass production. I combine these objects with the visual movement and sounds of dripping water, as well as cycles of lights turning on and off to create rhythms of change and return.